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1
The production format and ambiguity of principal in improvised entertainment interaction
In: Text & talk. - Berlin [u.a.] : Mouton de Gruyter 34 (2014) 2, 209-230
BLLDB
OLC Linguistik
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2
The production format and ambiguity of principal in improvised entertainment interaction
In: Text and Talk 34 (2014) 2, 209-230
IDS Bibliografie zur Gesprächsforschung
3
Discourse 2.0 : language and new media
Tannen, Deborah (Hrsg.); Trester, Anna Marie (Hrsg.). - Washington, DC : Georgetown University Press, 2013
UB Frankfurt Linguistik
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4
Telling and retelling prankster stories: Evaluating cleverness to perform identity
In: Discourse studies. - London [u.a.] : Sage 15 (2013) 1, 91-109
OLC Linguistik
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5
Discourses of war and peace
Hodges, Adam (Hrsg.); Bhatia, Aditi; Schulthies, Becky. - Oxford [u.a.] : Oxford University Press, 2013
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UB Frankfurt Linguistik
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6
Discourse 2.0. Language and new media
Tannen, Deborah (Hrsg.); Trester, Anna Marie (Hrsg.). - Washington D.C. : Georgetown University Press, 2013
IDS Bibliografie zur Gesprächsforschung
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7
Framing entextualization in improv: intertextuality as an interactional resource
In: Language in society. - London [u.a.] : Cambridge Univ. Press 41 (2012) 2, 237-258
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OLC Linguistik
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8
Style-shifting in public : new perspectives on stylistic variation
Gibson, Andy; Zhang, Qing; Podesva, Robert J.. - Amsterdam [u.a.] : Benjamins, 2012
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UB Frankfurt Linguistik
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9
Discourse marker "oh" as a means for realizing the identity potential of constructed dialogue in interaction
In: Journal of sociolinguistics. - Oxford [u.a.] : Blackwell 13 (2009) 2, 147-168
BLLDB
OLC Linguistik
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10
Improvising onstage and off: Combining variationist, discourse, and anthropological approaches to style
Trester, Anna Marie. - : Georgetown University, 2008
BASE
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